Guitar Scales Exercises
The Most Effective Exercises To Practice Scales without Sounding Like a Scale
On this page, I will show you a set of effective exercises to master guitar scales.
The risk in practicing guitar scales is to become a scale-robot and playing boring solos that sound like...a scale.
To fight this bad habit that affects many guitar players, the exercises on this page force you to play less "scalarly", with the help of interval jumps, triads and quadriads in scales, and so forth; keep reading to learn more.
All the examples here are based on the C major scale, but you can apply the concepts to any kind of scale.
At the end of the page you can download for free a zip file with the GuitarPro exercise tabs for more than 30 kinds of scales (all the modes derived from major and natural, harmonic and melodic minor, as well as diminished and augmented scales).
The GuitarPro tabs exercise archive has been created as a complimentary resource of my complete ebook Scales Over Chords, check it out if you want to expand dramatically your scales knowledge.
Exercise 0: Warm Up
Let's warm up a little bit and execute the scale up and down several time.
This is not strictly an exercise to practice everyday, but we start with this one so that you can get familiar with the pattern, that will be the foundation of the following exercises.
Be sure to use one finger per each fret (index on fret 7, middle on fret 8, ring on fret 9, and pinkie on fret 10), to keep the left hand movements efficient, and don't forget to use a metronome.
One general tip is to always try to sing your scales while practicing them, as it helps internalize sounds and musicianship.
Exercise 1: Two Up One Down
This sequence introduces interesting picking patterns that will give you hard times, but with patience and practice it will incredibly help you build your technique.
Exercise 2: Three Up Two Down
Same concept of the previous exercise, but with longer fragments.
Are you able to spot the sound of this sequence in some of your favorite solos?
Exercise 3: Triad Chords In Scale
We begin to break the scalar sound by playing the pattern with third intervals.
This simple trick highlights all the chords generated by the scale.
Put attention to the sound of those micro-arpeggios that come out by playing a scale by thirds.
Exercise 4: Quadriads (7th) Chords in Scale
We expand the concept of the previous exercise by adding one more tone; in this way we can hear the seventh chords generated from a scale.
This skill will be useful when you'll have to improvise over a chord sequence and you want to highlight chord tones.
Exercise 5: Double Notes
A simple variation that creates nice rhythmic effects and forces you to care the right hand picking work.
Exercise 6: Triple Notes
Same as before but the odd number or repetitions (3) make things more interesting. Your alternate picking skills will explode!
Exercise 7: Sixth Intervals
Sixth intervals are great intervals that give a fresh feeling to your melodies. This exercise, if executed for enough time, will help you internalize this sound; as sixth intervals are quite large, using this element in your solos make them less similar to a scale. You'll have to use string skipping to play this sequence.
Exercise 8: Fourth Intervals
Fourth intervals belong to the world of suspended chords: chords that are neither major, nor minor. They have a really modern sound and having this interval in your arsenal will help you to generate more creative ideas.
Often fourth intervals are neglected by guitar players, because the notes are on the same fret; this requires to roll the same finger on two strings, an operation that is slightly more difficult than playing notes on different frets. Don't be wrong and learn your fourths :-)
More Guitar Scales Exercises
On the free download area you can download hundreds of GuitarPro tab exercises for all kind of scales.
This archive have been originally created for my ebook Scales Over Chords, an ebook that will show
you how to play many types of scale along all the fretboard, as well as which scales to use over any chord type; now the GuitarPro archive is
available for free to all FaChords Guitar subscribers.
FAQ
Why do guitar scales often sound 'boring' or 'scalar' when practiced traditionally?
Scales can sound repetitive because they are often practiced and played in a linear, step-by-step fashion. This habit can make solos predictable and lack melodic interest, leading to a 'scale-robot' sound where the player simply ascends or descends the scale.
How do exercises involving interval jumps, triads, and quadriads help break the 'scalar' sound?
These exercises force you to move beyond step-wise playing. By outlining the inherent triads and quadriads (7th chords) within a scale, or by using wider interval jumps like 3rds, 4ths, or 6ths, you create more varied and harmonically rich melodic patterns. This emphasizes the underlying harmonic structure of the scale rather than just its linear sequence, making your playing sound more musical and less like a basic scale.
Can these scale exercises be applied to any type of guitar scale?
Yes, absolutely. While the examples in this lesson use the C major scale, the fundamental concepts and exercise patterns – such as sequential patterns, outlining chords, or practicing specific intervals – are universally applicable to any major, minor, modal, or other scale you are learning.
What is the difference in purpose between sequential exercises like 'Two Up One Down' and harmonic exercises like 'Triad Chords In Scale'?
Sequential exercises, such as 'Two Up One Down' or 'Triple Notes,' primarily focus on developing your technique, alternate picking accuracy, and rhythmic precision within the scale. Harmonic exercises, like 'Triad Chords In Scale' or 'Quadriads in Scale,' emphasize the melodic and harmonic possibilities by outlining the inherent chords and wider intervals, helping you hear and apply the scale's harmony more effectively in your playing.
Why are fourth and sixth intervals specifically highlighted as important for creating a more creative and less scalar sound?
Fourth and sixth intervals create unique melodic textures that naturally diverge from typical step-wise scale playing. Sixths are relatively large intervals that add a fresh, open feeling to melodies and often require string skipping. Fourths offer a modern, 'suspended' sound and can challenge your finger dexterity by requiring you to roll a single finger across two strings, helping you break away from common scalar patterns.
What are 'one finger per fret,' 'string skipping,' and 'finger rolling,' and why are they important for these exercises?
These are key technical approaches: * One finger per fret: Assigns one finger to each fret in a specific position, optimizing left-hand efficiency and facilitating faster, cleaner playing. * String skipping: Involves jumping over one or more strings to play notes, essential for executing wider intervals like sixths and improving right-hand accuracy. * Finger rolling: Requires using the same finger to press down notes on two adjacent strings at the same fret, often necessary for playing fourth intervals, enhancing finger independence and articulation. These techniques are crucial for precise execution and developing advanced technical proficiency.