Gb Dominant Seventh Flat Thirteen Added Guitar Chord Charts & Variations

Gb 7(b13) guitar chord shapes

Welcome to our detailed guide on the Gb 7(b13) chord. As part of the Dominant Chords family, the Gb 7(b13) is a complex and rich sounding chord that can add depth and sophistication to your guitar playing. The chord is composed of the notes Gb, Bb, Db, Fb, and Ebb, and is built from the intervals 1, 3, 5, b7, and b13.

The Gb 7(b13) chord is an advanced chord, and understanding its structure can greatly enhance your knowledge of guitar music theory. It is built by stacking specific musical intervals, which you can learn more about in our tutorial on building chords by stacking intervals.

The intervals that make up the Gb 7(b13) chord are the Root, Major Third, Perfect Fifth, Minor Seventh, and the diminished thirteenth (b13). If you want to delve deeper into the intricacies of these intervals, we recommend checking out our comprehensive tutorial about fretboard intervals.

Learning to play the Gb 7(b13) chord can be a bit challenging, but with our detailed chord diagrams and fretboard patterns, you'll be able to master it in no time. As a dominant chord, the Gb 7(b13) is a vital component in many musical genres, especially in jazz. If you're interested in exploring more about dominant chords, be sure to check out our tutorial about dominant (7) guitar chords.

The Gb 7(b13) chord is a great addition to your chord vocabulary and can open up new possibilities for creating interesting chord progressions. Whether you're an intermediate or advanced player, mastering this chord can take your guitar playing to the next level.

Gb 7(b13) chord Notes:

Gb Bb Db Fb Ebb

Chord structure of the Dominant Seventh Flat Thirteen Added chord:

1
b2
2
b3
3
4
b5
5
#5
6
b7
7

Fingerings for the Gb7(b13) guitar chord

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Play This Chord With Other Roots

C 7(b13) | D 7(b13) | E 7(b13) | F 7(b13) | G 7(b13) | A 7(b13) | B 7(b13) | C#7(b13) | D#7(b13) | F#7(b13) | G#7(b13) | A#7(b13) | Ab7(b13) | Bb7(b13) | Db7(b13) | Eb7(b13) | Gb7(b13)

FAQ

What makes the Gb 7(b13) chord a 'dominant' chord?

The Gb 7(b13) chord belongs to the dominant chord family because its core structure includes a root, major third, perfect fifth, and a minor seventh interval. The addition of the b13 extension makes it a complex, yet still fundamentally dominant, variation of a 7th chord.

What are the specific notes that form the Gb 7(b13) chord?

The Gb 7(b13) chord is built from five distinct notes: Gb (the root), Bb (the major third), Db (the perfect fifth), Fb (the minor seventh), and Ebb (the diminished thirteenth).

What does the 'b13' interval signify in the Gb 7(b13) chord's structure?

The 'b13' (diminished thirteenth) interval is a specific extension that is stacked on top of the fundamental dominant seventh chord (root, major third, perfect fifth, minor seventh). This particular interval contributes significantly to the chord's complex, rich, and sophisticated sound.

Why is the Gb 7(b13) chord considered an 'advanced' chord for guitarists?

This chord is seen as advanced because it moves beyond basic triads and standard seventh chords. Its five-note composition and the inclusion of the b13 extension require a more in-depth understanding of music theory and often more challenging fingerings to execute effectively on the guitar fretboard.

In which musical genres or situations is the Gb 7(b13) chord commonly applied?

As a sophisticated dominant chord, the Gb 7(b13) is a vital component in many musical genres, notably jazz. It's used to add harmonic depth, tension, and sophistication to chord progressions, creating more interesting and colorful musical landscapes.

How does the Gb 7(b13) chord contribute to a richer or more sophisticated sound?

The Gb 7(b13) chord achieves its rich and sophisticated sound primarily through its unique combination of intervals, particularly the inclusion of the diminished thirteenth (b13). This advanced extension adds harmonic color and tension that elevates it beyond simpler dominant seventh chords, opening up new melodic and harmonic possibilities.

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