Ebm6/9 Guitar Chords Explained | Eb Minor Sixth Ninth
Welcome to our tutorial on the Eb m6/9 chord. This chord belongs to the Minor Chords family and is composed of the notes Eb, Gb, Bb, C, and F. The intervals that build this chord are 1, b3, 5, 6, and 9, which in complete musical terms are the Root, Minor Third, Perfect Fifth, Major Sixth, and Major Ninth respectively.
Understanding the notation of these intervals is key to understanding the structure of the Eb m6/9 chord. For those who are new to chord construction, we recommend our tutorial on building chords by stacking intervals.
The Eb m6/9 chord is a more complex chord, often found in genres like jazz. If you're an intermediate player looking to expand your chord knowledge, this tutorial is perfect for you. For those interested in exploring more advanced chords, you may find our tutorial on intermediate guitar chords useful.
In this tutorial, we will provide chord diagrams and fretboard patterns to help you visualize and understand the tones composing the chord. Additionally, if you're curious about the name of a chord shape you've discovered on the fretboard, our interactive chord shape analyzer can be a handy tool.
Learning the Eb m6/9 chord can open up new possibilities in your playing, particularly in jazz chord progressions. So, grab your guitar and let's dive into the world of the Eb m6/9 chord!
Notes in the Eb m6/9 chord:
Chord structure of the Minor Sixth Ninth chord:
How To Play The Ebm6/9 chord on guitar
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What makes the Eb m6/9 chord a 'minor' chord?
The 'minor' quality of the Eb m6/9 chord stems from its Minor Third interval (Gb) relative to the root (Eb). This specific interval is the defining characteristic that determines a chord's minor sound, irrespective of any additional extensions.
Why does the Eb m6/9 chord consist of five distinct notes?
The Eb m6/9 is an extended chord, meaning it includes notes beyond the fundamental root, third, and fifth that form a basic triad. It adds a Major Sixth (C) and a Major Ninth (F) to the Eb minor triad (Eb, Gb, Bb), resulting in a richer and more complex five-note harmony: Eb, Gb, Bb, C, and F.
How do the '6' and '9' intervals influence the sound of the Eb m6/9 chord?
The 6th (Major Sixth) and 9th (Major Ninth) intervals are chord extensions that add color and sophistication. The Major Sixth introduces a mellow tension, while the Major Ninth provides an open and airy quality. Together, they create the characteristic smooth and often jazzy texture of a m6/9 chord, enhancing the basic minor sound.
When is the Eb m6/9 chord typically used in music?
The Eb m6/9 chord is commonly found in genres like jazz, where rich and nuanced harmonies are prevalent. It's an excellent choice for expanding your chord vocabulary, particularly for adding a sophisticated, lush sound to minor chord progressions and creating new harmonic possibilities in your playing.
Why are the sixth and ninth intervals referred to as 'Major' in a minor 6/9 chord?
The terms 'Major Sixth' and 'Major Ninth' describe the specific quality and distance of these intervals from the root (Eb) of the chord, independently of the chord's overall minor quality. In jazz and advanced harmony, it's standard for minor 6/9 chords to feature a Major Sixth and a Major Ninth, as these specific extensions create the desired characteristic sound for this chord type, with the 'minor' part referring to the third interval.